¡§The Original Perfect Pointe Book¡¨
is now a fantastic

NEW! Audio Visual E-Learning Course!

Learn All Of The Secrets That Dancers All Over The World Are Using To Get Stronger, Safer And More Beautiful En Pointe, Right From The Very Beginning!

Learn the best ways of improving the:

Flexibility of your feet and ankles!
Strength and control of your feet and ankles!
Turnout range and strength in your hips!
Abdominal strength, balance and core control!

has been a worldwide success since its release in November 2006, and is now being used by dancers and dance teachers in over

65 different countries!
And now it is better than ever!

The original manual has been re-mastered into a fabulous Audio Visual Course that actually talks dancers through each stage of the program, so that it is just like being at a real dance education course!

Click Here For The Perfect Pointe Book

And for a LIMITED TIME ONLY you can get both the New Course, and ¡¥The Original PerfectPointe Book¡¦ at the ¡§SAME PRICE¡¨ as the book alone!

Buy Both Resources Now!

For Just

$47.77 USD

 

And download this fantastic Course and Manual NOW!
No need to wait for delivery!

Hi Guys!

Have you ever wondered what else you can do to improve your dancing?

Are you frustrated at not getting better, even though you are doing all that your teacher is telling you to do?

Are you keen to find out the secrets that girls all over the world are now using to become better dancers and avoid injury?

Well, you have come to the right place! Now I know there is a lot to read on this page, but I just wanted to fill you in on all the details about this fantastic new course. I want you to make an informed decision about whether this is the right thing for you or not.

Because this course is not right for everyone.

• If you already know absolutely everything there is to know about pointe then you probably don¡¦t need this course.

• If you have perfect control of each of your individual toes, never lose your balance in class, and can do 32 perfect Fouettˆms (in both directions), then you probably shouldn¡¦t buy it either.

However, if you are just starting out en pointe, get blisters, sore feet or wobble en pointe, or if you are a dance teacher who is keen to learn how best to help your students progress en pointe, then this is the course for you!

Even girls who have been en pointe for years and teachers who have danced in some of the top ballet companies in the world have been astounded at how much they have learnt about their own feet by working through this course. Many wished that it had been available when they were starting their career as it explains the reasons behind so many career ending injuries.

This course is absolutely unique in the way that it guides you step by step through assessing your own feet and helps you understand exactly why things happen in your feet the way they do.

It has four stages that assess the flexibility of your feet and ankles; the strength of all the little muscles in your feet; your turnout muscles; and your core strength and balance. Follow along in the manual as you listen to me explaining all of the details of each test and exercise!

This section includes tests and exercises to make sure that you can get your foot into the best position for pointe work. Some people will find this stage easy, others will find it harder. No matter where you start, the easy exercises and stretches will help you get a great looking pointe. This is obviously VERY important for getting onto pointe.

Here you learn all about the different muscles in your feet, and why it is important to get the right ones strong! Mastering the fine control of your toes helps prevent blisters on the toes, as well as overuse problems in the shins. This stage will transform how you work with your feet forever!

Getting onto pointe is not all about your feet! Find out how to find your true turnout muscles, and make them stronger, so that you don't start dancing in parallel once you are up en pointe!

Finding your balance off the barre, and strengthening you 'core muscles' is so important in keeping your body strong! A dancer can have fantastic feet, but unless she can hold it all together, she will not go very far!

You test yourself at the start of each of the 4 stages, and then learn a program of special exercises that really focus on waking up all of the important muscles. After doing all the exercises for two weeks, you can retest yourself, and if you can do them all fabulously, you can move onto the next stage.

It Is Really Important To Learn All This Before You Start En Pointe.
(Although it is better late than never!)

This is an excellent manual for both pre-pointe and advanced dancers. It is simple to use, and will be a great help to students who are serious about developing good pointe work. Lisa has written many helpful exercises, with clear photographs to demonstrate how to improve strength and prevent injury. This manual would also be very useful for teachers, and particularly student teachers, who want to learn how to safely prepare their pupils for pointe work.

Lindsay E-B
LRAD ARAD
Grade Examiner for the Royal Academy of Dance
Junior School Head Teacher - Ecole Ballet Studios, Sydney, Australia

 

Dear Lisa,

I want to thank-you for your brilliant pointe work book which I bought recently. I stumbled onto it while searching Google images for pointe shoes to use in a newsletter for my students. Your book has become my pointe work 'bible' and I'm planning to use it as the source for a pre-pointe class for students who are approaching pointe work.

Thanks again,
Kathleen S

Click Here For The Perfect Pointe Book

 

The Perfect Pointe Book fills a wide gap in the education of ballet students in many countries. Lisa Howell is well qualified to answer all the "questions you have always wanted to ask" about pointe work and gives generously of her knowledge in terms which everyone (teachers, students and parents) can understand. The best thing about this book is that shows the student how best to prepare for pointe work and how to improve and maintain their strength for further training. This book can be highly recommended as a tool for teachers as well as students of classical ballet.

Jane Allyn ARAD
Former Soloist and Company Teacher
Co-Director of Ecole Ballet Studios, Sydney

 

A lot of girls (and their parents) are understandably scared of what pointe work will do to their feet, and are worried about it being painful. In the past, with badly fitting shoes and often poor strength in the feet, many dancers did get terrible pain and had problems with their feet.

But this is not the case anymore!

This fantastic program teaches you how to strengthen your feet and body in the shortest space of time. Now that pointe shoes are available in so many different fittings, if your feet are very strong, and the shoes fit well, it is quite possible to dance with little or no pain at all! If you start off knowing what to feel, and how to get the most out of your shoe, you can have a long and happy career dancing on your toes.

In the past, this kind of specific strength only came with years of training, and learning it all the hard way. Thanks to my years of experience in working with dancers and seeing what makes the fastest improvements, this program is now available for you to take advantage of! After years of working with dancers, personally and as a therapist, and constantly seeing the same problems en pointe, I simply had to find a way to teach girls how to get it right from the beginning. The problem is, if you start off with bad technique, it is VERY hard to UNLEARN this later on.

You can learn fantastic technique NOW, and find out how your feet work, so that when you go onto pointe, you will get much better, much faster, than girls who try to learn it as they go.

If you are planning on any form of career or continued practice in ballet, this course is an essential part of your ballet training. Whether you are just beginning pointe, or have been en pointe for years, you will learn so much about your body and how it should work by going through this process.

With this course you get to learn what muscles do what, why some people find it easier than others, how to improve your turnout and how to get a great looking pointe!

I wanted to make learning about the body as fun, and as easy, as possible. And now it is even easier than ever! All of the exercises have lots of photos so that you can see exactly how to do them, and with my voice explaining each one, you don¡¦t even have to read the manual!

Hear What Other Girls And Dance Teachers Have to Say About The Course!

Log onto www.theballetblog.com to read the latest comments from girls who already have their hands on the Course.

Though The Perfect Pointe Book is written for young dancers who are just getting started, I have found the information to be a great resource to share with my university dancers. The pre-pointe assessments, descriptions of common problems and suggestions for strengthening exercises are particularly useful. Your emails on a variety of topics are informative and often timely. A student had just asked me about Achilles tendon problems when your email on the subject arrived. It made my job easy to just print it off and hand it to her. The students really liked your video on breaking in pointe shoes. Most said that they had not been taught to do that properly. Thank you for your book, your emails and your informational videos. You are providing a much needed service.

Sharon S
Professor of Dance
Western Oregon University

 

Dear Lisa,

I'm just starting my work on pointe and your tips are helping me a lot. I'm more stable on pointe and more satisfied while I work. Those tips are something that even my teacher didn't know. So thank you. It was really great idea to help people like this.

Kristina

 

Hey Lisa!

Actually just before I got my first pointe shoes I was working for about a month on the book and I am the only one of 4 others that can actually get fully onto pointe! I'm so proud!!! Your book has really helped me a lot! Thank you for all your help!!! Their shoes look brand new and mine are all broken in and worn a bit! Except I have to stay behind with them because we went on pointe at the same time. This is only the 5th day anyway and it's only a 2 week camp so I guess I'll probably be with the older girls when the fall session starts! My ballet teacher puts me in groups with the older girls in demi-pointe classes. Anyway thank you for all your help! I think that toe swapping helped a lot too! Well I have to go now so I'll keep in touch with you!

Bye, Alyna

 

ABSOLUTELY FANTASTIC!! I love your book Lisa. Your book is a wonderfully written, beautifully illustrated and simple to follow program. What an amazing gift you have to share.

Kind Regards,
Karen (QLD, Australia)

 

Hi Lisa!

Just a note to thank you for everything you put into writing & marketing your book on pointe work--what a treasure! I found you/it via Deborah Vogel's Dancing Smart newsletter and am so excited to apply your advice and exercises in my pointe classes! I own a small studio in Columbus, Ohio, and ballet is our biggest program, and my personal baby. I am blessed to have a practicing physical therapist as my jazz instructor and assistant director, as well as my best friend, and the knowledge of people like her, you, and Deborah Vogel enable me to keep my promise of safety to my clients.

As for my own pointe training, it was decent, although I feel as if I wasn't really trained in the nitty-gritty how-to's of how to work in those shoes. I was always strong & had great feet, so much of it came naturally to me, but teachers always said, "pull up," or "work thru your feet," and I tried, but didn't really know what that meant. Folks like you teach folks like me exactly what those teacher-ese terms mean and I am a much more effective pointe instructor for it, and my students are better trained than I was. Thank you so much for what you do--it has a ripple effect that is spreading worldwide, even as far as the corn-belt of America!

Very sincerely,
Jennifer C
Director, Footsteps Family Dance Center

 

Lisa

I want to thank you... I watched a few of your videos on YouTube and they were very good and informative, even after 13 yrs of dance. In fact, one of them gave me insight on an old injury, and I am figuring out more correct ways to move!

Best wishes and good luck,
Laura J

Click Here For The Perfect Pointe Book

A SUPER SPECIAL OFFER

FOR THE RELEASE OF THE NEW

VERSION OF THE COURSE

 

The Perfect Pointe Book ¡V Audio Visual Course
And The Original Perfect Pointe Book

will be available together for the "SAME PRICE" as the book alone has been for the last year!

That's just

$47.77 USD

for the full 3hr Audio Visual Course
AND
the Original Manual!

 

Value of $35 dollars

To secure one of the first copies of this fabulous course!

 

after which time we reserve the right to increase the price to cover the extra cost of producing this fantastic resource.

Yes Lisa!
I Just Have To Have This Incredible Package! Count Me In Right Now!

Click PayPal Button Below To Order!

Why wait? Even if you are not planning on going onto pointe for a while,
the earlier you can learn all of this, the better!

This E-Learning Course Is The Only One Of Its Kind!

To get all of this information through regular Physical Therapy sessions, you would need at least 8 private sessions with me. At $120 an hour, this can get kind of pricey, which is why I wanted to make it easier for you to do most of the work yourself. This means you save over $900 and still get the same

Look at it this way -- $47.77 (USD) is really a painless drop in the bucket to be able to get your hands on The Perfect Pointe Book and start using it right away to improve your dancing!

Remember that this is an investment in your dancing; An investment in your feet, and in your life. This course not only teaches you how to work with your feet to get the most out of them, but that change is possible. It also shows you that if you do the right things and train smart, it does not have to be hard work! I wish you all the best in your journey through dance, and hope that I can continue to help you out along the way.

Don't you owe it to yourself to try 'The Perfect Pointe Book' today?

 

Click Here To Order Now

Buy Now for just

$47.77 USD

 

Remember! This Course is a one-of-a-kind product. It was written by a dancer, for dancers, and is absolutely priceless for the information and strength it will give you!

But don't take my word for it - put our ironclad 60-day money-back guarantee to the test. Try The Perfect Pointe Book today, and if you are not satisfied simply ask for your money back within 60 days.

I really am looking forward to joining you on your journey to prepare for pointe work, and in your desire to become the best dancer you can be. I am sure that we are going to have a lot of fun together!

Warmest Wishes,

- Perfect Form Physiotherapy

P.S. Make sure you let me know how you go with the Course, and how your dancing is progressing by logging onto the blog http://www.theballetblog.com/

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These publicity stories are generally "shot-gunned" to all the various media: local newspapers, radio and TV, and trade publications. Problem number one is getting the people to whom you've sent these publicity stories, to use them - publish or broadcast them. And this leads us back to the "right way " of writing them and sending them in. In every case, send a short cover letter addressed to the person you want your material to be considered by... This means that you send your story to the city editor of the newspapers; the news directors of the radio and TV stations; and the managing editors of the various trade publications. It will do you no good what-so-ever, to send your material to the advertising, circulation or business managers - describing how you're a long-time advertiser, subscriber or listener. The most important thing is that you make contact with the person who has the final say as to what is to be published or broadcast, and at the bottom line - this person's use of your material will somehow make him a "hero" to his or her readers, viewers or listeners. The cover letter should be a short note. Go to a paper supplier - tell him you want a hundred or so sheets of good bond paper - 8 1/2 by 11" preferably in a pastel color such as blue or ivory - and that you want this paper cut into quarters, giving you a grand total fo 400 sheets of note paper. "From the desk of..." note sheets are too elaborate until the people you're contacting get to know you - first time around, and until they use your material, don't use these semi-formal note sheets... On this note sheet, begin with the date across the top - skip a couple of spaces and then quickly tell the recipient of the note: the attached material is new and should be of real interest to his readers, viewers or listeners. We advise our dealers and distributors of MONEY MAKING MAGIC - our regular publication for serious wealth builders and extra income seekers - to send the following note to the editors and news directors of the media in their areas: "Here's something that 's new, and for a change, truly helpful, to people trying to cope with inflation - the soaring costs of living - and those engaged in building extra income businesses of their own. Should be of real value - interest - to your readers. Please take a look - any questions, or if you need more info, give me a call at: (503) 666-5824..." Then, of course, you skip about four spaces, type your name, your business name, and your address - sign your name above where you've typed it, and staple this note in the upper right hand corner of your news release. This note should be typed and double-spaced. So now, you've got a cover letter, and you know who to send it to... We type up one such note, and take it to a near-by quick-print shop. They xerox the note 4 times, past these 4-copies onto one sheet of paper, print 50 to 100 copies, and cut the paper into individual notes, all for less that $10... Do not try to save money by photo-copying or xeroxing - a photo-copy is a photo-copy is a photo-copy, and will not do the job for you... Now you need the actual publicity release, which also must be "properly" written if you expect it to be used by the media. Above all else, there's a proper form or style to use, plus the fact that it must be typed, double-spaced, and short - about a half page in total length. About an inch from the top of the paper, with an inch and a half margin on each side of the paper; from the left hand margin, type in all capital letters: PRESS RELEASE: Then, underline these words. Immediately following the colon, but not in all capital letters, put in the date. Always set the date forward by at least one day after the day you intend to mail the release. On the same line, but on the right hand side of the page, and in all capital letters, write the words, FOR FURTHER INFORMATION: Underline this, and immediately below, but not in all capital letters, type your name - your phone number - and your address... Skip a couple of spaces, then in all capital letters - centered between the margins - type a story headline, and underline it... Skip a couple of spaces, and from the left hand margin, all in capital letters, type the words, FOR IMMEDIATE RELEASE: From there on, it's the news or publicity story itself. You can write the headline before the story, and then a story to fit the headline - or the story before the headline, and then a headline to fit the story - either way, it's basically the same as writing a space ad or a sales letter... You attract attention and interest with the headline and fill in the details with your story. 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If your first effort is not used, then you should review the story itself; perhaps write it from a different angle; make sure you're sending it to the proper person - and try again! As stated earlier, these people are busy, with hundreds of publicity releases passing across their desks every day - They only have so much space or time - therefore, your material has to stand out and in some way, fit with the information they - the editors - want to pass along to their readers, viewers or listeners. Regardless of your business, product, or service, you must build your press release - write it - around that particular angle or feature that makes it beneficial or interest to the readers, viewer or listeners of the media you want to run your press release. Without this special ingredient, you're lost before you begin! The timing of your press release is always important. Try to associate your press release with current events in the news. A story on job lay-offs and increased unemployment carried in the newspapers, on TV and radio would prompt us to get a publicity release out to all the media on the help and opportunity offered by MONEY MAKING MAGIC! Say there's a deluge of chain letters and pyramid schemes making the round - the media picks up on it and attempts to warn the people to beware... Within 5 days, we would get a publicity release out, explaining the availability of our report on chain letters and pyramid schemes - a report that explains everything from A to Z - who're the winners and who're the real losers. There's another kind of timing also to keep in mind... Publication deadlines... For best results, always try to time it so your material reaches the editor in time for the Sunday paper. This is because that's when the papers have their greatest circulation; the most space is available; and the people, the most time to read the paper. For articles you'd like to appear in the Sunday paper, you'll generally have to get your release in at least nine days prior to the date of publication. If you're in doubt, call and ask about the deadline date. IN SUMMARY: Choose the media most likely to carry your press release. Select those that carry similar write-ups on a regular basis. Always use a cover letter of some kind. It pays to call ahead to find out the name of the person you should be sending your press release to. Use the proper press release form, complete with a headline that will interest the man deciding whether or not to use your item. Be sure your press release is letter perfect - no typo's or misspelled words - and don't photo-copy - always have each letter or press release individually typed or printed. When your item is used, send a thank you note or call the editor on the phone and thank him for using your press release. Never, but never call or write an editor demanding to know why he didn't use your press release, why he had it rewritten or cut it short - just try, and try again!

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